A simple bookend or a sculptural lamp in this hue proves to be instantly invigorating. What is so special about Yves Klein’s Blue?
Great Jones. The prices were all different, of course.' Meri Meri. The material on this site can not be reproduced, distributed, transmitted, cached or otherwise used, except with prior written permission of Multiply.
Yet the minutely textured matte surface also exerts a powerful attraction in its own right.
/ N/A Today. aelfie. Klein made his first monochrome painting in 1949 and began his so-called 'blue period' in 1957; he then continued to make blue monochrome paintings on and off right up to his death in June 1962. Although it is difficult to date many of these works precisely, the early ones have an uneven surface, whereas later ones, such as the present work, are finer and more uniform in texture. We’re fans of neutral-hued rooms and, to be totally honest, still love a good Millennial Pink interior, but International Klein Blue makes the perfect contrasting color to enliven a space swathed in neutrals. That project has concluded, and works are now being identified by MoMA staff.
Blue signified this quality of limitlessness — ultimately, I would say that it represented the spirit.’ What do you think people still do not appreciate about Yves Klein that should be known? , Bougeoir/Vase Totem This exploration also included ephemeral performances with the paint-smeared models that he called “living paintbrushes” and the sale, via certificate, of otherwise intangible “zones of immaterial sensibility.” At the same time, Klein acknowledged the allure of sensual immediacy, noting, “The more one lives in the immaterial, the more one loves matter.”. At $58, this piece (available on Amazon Prime) also makes a great host gift. Design Star Camille Walala Shares the Secret to Pairing Prints and Colors Without Fear. Only valid under French law, a Soleau envelope registers the date of invention, according to the depositor, prior to any legal patent application. Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.389-90, reproduced p.389, Heimo Zobernig
The Art Brut founder would visit flea markets in order to immerse himself in the 'bituminous and soiled
[2] The synthetic resin used in the binder is a polyvinyl acetate developed and marketed at the time under the name Rhodopas M or M60A by the French pharmaceutical company Rhône-Poulenc. The back bears the artist's insignia, an eight-sided star, and is inscribed (not by him) 'IKB 79'
He worked with a chemist to develop his own particular brand of blue. One such strategy was monochrome abstraction—the use of one color over an entire canvas. yves klein blue. We would like to hear from you. He described it as ‘a Blue in itself, disengaged from all functional justification’. Now House by Jonathan Adler ), Further reading:Yves Klein, 1928-1962: Selected Writings, Tate Gallery, London 1974Yves Klein 1928-1962: A Retrospective, exhibition catalogue, Institute for the Arts, Rice University, Houston 1982Sandra Stich, Yves Klein, exhibition catalogue, Hayward Gallery, London 1995. Applied evenly with a roller, the profound hue suggests a potentially infinite visual expansion—an impression further encouraged by Blue Monochrome’s generous dimensions and subtly softened corners, which Klein carefully rounded. , Living Coral, so it’s particularly suited to be paired with a pastel palette.
We use our own and third-party cookies to personalize your experience and the promotions you see. None resembled any other - no more than pictoral moments resemble each other - although all were of the same superior and subtle nature (marked by the immaterial)
The most sensational observation was from the "buyers".
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Consider placing this one on a side table or dresser, instead of the typical dining room spot. A sweet copper-toned handle makes a cheerful contrast. Hardback | English
Sign up now to receive your daily dose of Domino inspiration. "In Klein’s case, medium was crucial to message, and his medium is ultramarine blue both like and unlike the colour that resonated through medieval and Renaissance art," she writes in Chromaphilia. MoMA Design Store
Purchased from the Galleria Internazionale and Situation (Grant-in-Aid) 1972
Bonus: Their ridges give them an added ergonomic function. He demanded active viewer engagement, wanting each observer to be immersed, even impregnated, with colour, experiencing and internalizing its effects. No need to swap out your entire bedspread: Two Yves Klein–inspired pillowcases look totally fresh when paired with all-white bedding.
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All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. More information is also available about the film collection and the Circulating Film and Video Library. Repr: Terry Measham, The Moderns 1945-1975 (Oxford 1976), pl.69 in colour. He was inspired by the French philosopher Gaston Bachelard, whom he quoted: ‘First there is nothing, then a depth of nothingness, then a profundity of blue.’". Tim Lee If you’re going to invest in a pricey artwork, consider one that has an added functional value: Danish artist Cathrine Raben Davidsen’s floor lamp doubles as a minimalist sculpture. The material, which is toxic and unforgiving, dries extremely quickly to a velvet finish, allowing no touch ups. Undivided by drawing and seemingly untouched by the artist’s hand, the radiant field frees color from the confines of form. Great Jones Mme Klein-Moquay said on 6 May 1974, after re-examining the Tate's picture, that she was fairly certain it was one of about four in the same style which Klein made at Gelsenkirchen in 1959.
IKB uses a matte, synthetic resin binder which suspends the color and allows the pigment to maintain as much of its original qualities and intensity of color as possible. At his 1957 exhibition in Milan, he displayed a series of eleven ostensibly identical blue monochromes, each with a different price which he claimed reflected its unique spirit. 42,255 COLOURlovers viewed this page and think avilluk is a color lord. To make it stand out even more, consider placing it on a stack of coffee table tomes or magazines. From high-end paints to home decor, Klein’s vision for the color blue has become a true legacy. the nouveau realist, minimalist and performance artist Yves Klein famously asked. As Stella Paul explains: "The works were created in performance, with nude women playing the role of human brushes commanded by Klein.
The announcement card for his one-man exhibition at the Galleria Apollinaire, Milan in 1957 described IKB as 'a Blue in itself, disengaged from all functional justification' (quoted in Stich, p.81).
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"Klein commissioned his own customized synthetic paint using this new binder, which he patented as ikb (International Klein Blue); from 1957 onwards he used this pigment almost exclusively. Yves Klein Blue Monochrome 1961 On view; MoMA, Floor 4, 406 The David Geffen Galleries; Klein famously declared the blue sky to be his first artwork and from there continued finding radical new ways to represent the infinite and immaterial in his works.
This ridged candlestick made by Mimi Ceramics proves that taper candles are anything but old-fashioned. While Klein’s blue has been proprietary and perceived as exclusive for decades, it inspires the work of interior designers, artists and other creatives to this day. brown colours of mankind' - but how did he go about making these colours come to life on the canvas? Surya.
Yves Klein Biography.
This is based on the artwork’s average dimension. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. we're pulling together a small Phaidon selection of works by colour that are affordable on Artspace.
It is difficult to date most of them precisely, though the early pictures tend to have a distinctly uneven wave-like surface, whereas the later works (such as this one) are finer and more uniform in texture.
Yet Klein actually referred to his blue monochromes as "leftovers from the creative process, the ashes".
If You Need Your Cup of Joe to Really Wake You Up, If You Want to Be the Hero of Your Next Party, If You Want a Rug That Will Do the Talking for You, mx_bucket_*, mx_cookie, mx_uuid, mx_xp_d, xp_xp_m_android, xgeo, xroll, photography by joshua mchugh, design by jessie schuster, The Founder of Edie Parker Invites Us Inside Her Technicolor Upper East Side Apartment, Design Star Camille Walala Shares the Secret to Pairing Prints and Colors Without Fear. In 1956, at the age of 28, Yves Klein singled out the ultramarine blue pigment which is a highly saturated color and according to him “the most perfect expression of blue”. If you have additional information or spotted an error, please send feedback to [email protected]. "Blue is the invisible becoming visible. Mantel PDX / Blue has no dimensions, it is beyond the dimensions of which other colours partake," he concluded. He began making monochromes in 1947, considering them to be a way of rejecting the idea of representation in painting and therefore of attaining creative freedom. This record is a work in progress. Published in:
Later, he worked with Edouard Adam, a Parisian colour vendor who consulted with chemists at Rhone-Poulenc, to create a synthetic binder in which to suspend the pigment. so vibrant? These included performance art where Klein painted models' naked bodies and had them walk, roll and sprawl upon blank canvases as well as more conventional single-color canvases. Artist Kate Worum draws inspiration from Matisse’s similarly hued figural works. What was it with Jean Dubuffet and Brown. It’s practically the exact opposite of terra-cotta and blush hues that have come into popularity over the past few years, and that’s precisely why this color is perfect to embrace right now.
Klein did not give titles to these works but after his death in 1962, his widow Rotraut Klein-Moquay numbered all the known blue monochromes IKB 1 to IKB 194, a sequence which did not reflect their chronological order. Mimi Ceramics. This colour, he believed, had a quality close to pure space, and he associated it with immaterial values beyond what can be seen or touched. [4], In March 1960, Klein patented a method by which he was able to distance himself from the physical creation of his paintings by remotely directing models covered in the color.[5]. Like other artists of the Nouveau Réaliste movement in France, or the Italian artist Piero Manzoni (1933-1963), Klein's practice was strongly influenced by the originality, irreverence and wit of the French artist Marcel Duchamp (1887-1968).
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