Color Channel: An RGB image is comprised of three different color channels: red, green, and blue. These holes engage the teeth of various sprockets and pins by which the film is advanced and positioned as it travels through cameras, processing machines, and projectors. Fog: Darkening or discoloring of a negative or print, or lightening or discoloring of a reversal material.
Used over the camera lens to reduce the intensity of light reaching the film without affecting the scene's color balance. 35 mm camera format that utilizes entire frame area on film. Cinching: Practice of pulling the end of a film roll to tighten it. Network: Sampling Rate: Sunlight:
Expressed by (H)=Et, where E is the light intensity, and T is time. Black-And-White Film: A film that produces a monochromatic picture in shades of gray (usually a metallic silver image).
It's not recommended. Depending on the type of sound used in the print, the screen image has an aspect ratio of 2:35:1 (optical sound), or 2:55:1 (4-track magnetic sound).
Black-and-white film that is sensitive to all colors in tones of about the same relative brightness as the human sees in the original scene. Adhesive layer that binds film emulsion to the base. Digital images are made up of square pixels arranged in a fixed grid.
This can include color accuracy (in memory colors or in various flesh tones), color preference, flesh-to-neutral reproduction, and tone-scale neutrality. Front End: General terms for all production and preparation work up to the Answer Print stage before Release Printing.
This range is more properly described as "scale" or "latitude." Emulsion Number: A number identifying a complete coating from a single emulsion batch or mixture.
A lighting method that violates natural angles for artistic effect. cyan, magenta, and yellow, to control red, green, and blue light. Fidelity of reproduction of sound or image.
A highly flammable motion picture film that has not been domestically manufactured since around 1950.
Photographic process in which a positive image is obtained by development of a latent image made by printing a negative.
Base: The transparent, flexible support, commonly cellulose triacetate (in motion picture cameras), on which photographic emulsions are coated to make photographic film.
(1) As applied to a photographic emulsion or developer, having a low contrast. A toothed wheel used to transport perforated motion picture film.
usually a shot (or series of shots) that together comprise a single, complete and unified dramatic event, action, unit, or element of film narration, or block (segment) of storytelling within a film, much like a scene in a play; a scene normally occurs in … Computer algorithms are used to perform image-processing operations. Gelatin Filter (Gel): A light filter consisting of a gelatin sheet in which light-absorbing pigment or dye is incorporated.
(2) As applied to the lighting of a set, diffuse, giving a flat scene in which the brightness difference between highlights and shadows is small.
The best solution is to acquire the image at a sufficient sampling rate or use an anti-aliasing algorithm. Calibration ensures all devices acquire, display, and output an accurate image. The most common film used. Film Identification Code: Letter which identifies film type. Definition: The clarity or distinctness with which detail of an image is rendered. Focal Length: The distance from the optical center of a lens to the point at which parallel rays of light passing through it converge (the focal point). RMS: | A graph 1) of the total density of the three dye layers measured as a function of wavelengths, and 2) of the visual neutral densities of the combined layers similarly measured. To use: Locate frame line. |
Digital color correction allows far more control than tradition color timing.
A mechanism employing a common rotary shaft that has sprockets which, by engaging perforations in the film, pass corresponding lengths of picture and sound film simultaneously, thus effectively keeping the two (or more) films in synchronism during the editing process. The spatial detail of an image. A color that produces white when mixed in equal parts with the primary color to which it is complementary. (3) Projector: In motion picture projectors, the mask opening that defines the area of each frame projected. Remjet is softened and removed at the start of processing.
(2) the negative image. Q Release Negative:
The rate at which the film moves through the projector; twenty-four frames per second is the standard for all sound films. Each electrical current is in proportion to the amount of light hitting each sensor on the CCD. Abrasion Marks: Scratches on film caused by dirt, improper handling, grit, emulsion pileups, and certain types of film damage (e.g., torn perforations). Positive Image:
Term used to describe color brilliance or purity.
Also known as D-Log H, H and D, and characteristic curve.
See "Characteristic Curve.".
Check print: Used to check the quality of the bulk release work, these are made from the duplicate negative. Super 16: Visually it appears neutral, or a middle gray halfway between black and white. Depth of field depends on the lens opening, the focal length of the lens, and the distance from the lens to the subject. If there are no identifying leaders on the film, upside-down images will signify the head end.
Sequential numbers which are pre-exposed or printed in ink at regular intervals on the edge of the film outside or in between the perforations. PANAVISION 35: A photographic image in which the values of light and shade of the original photographed subject are represented in inverse order. The negative originally exposed in a camera.
A light meter designed to measure light reflected from the subject. Film Perforation: Holes punched at regular intervals for the length of film, intended to be engaged by pins, pegs, and sprockets as the film is transported through the camera, projector, or other equipment.
Slow Motion: Phase Alternating Line.
Thus, a picture may be "flat" in the highlight areas, "flat" in the shadow regions, or both.
One blade masks the pulldown while the other blade causes an additional light interruption increasing the flicker frequency to 48 cycles per second-a level that is not objectionable to the viewer at the recommended screen brightness of 16 footlamberts (55 candelas per square meter). Traditionally, CoC's of 0.001" for 35mm formats and 0.0005" for 16mm formats are used. Standard definition video. Cyan is minus red-cyan and red are complementary colors; yellow is minus blue-yellow and blue are complementary colors; magenta is minus green-magenta and green are complementary colors. Cyan: Blue-green; the complement of red or the minus-red subtractive used in three-color processes. Gobo: A patterned template used in lighting to create a pattern or texture in a scene. Orthochromatic (Ortho) Film:
A higher bit depth improves the tonality of an image because there are more color values to choose from. ANSI: American National Standards Institute. The bleached silver and any traces of halides may now be removed with hypo.
Colorist: Colorists are artists who work closely with the filmmaker to color correct the film. N Conform: Match the original film to the final edited work print. Compression reduces the amount of storage space and bandwidth needed for images in the digital intermediate. (3) Negative raw stock that has been exposed but has not been processed. : (1) Flexible form of editing where shots can be edited in a manner that do not conform to, or affect, the planned story order. Characteristic Curve: Shows the relationship between the exposure of a photographic material and the image density produced after processing.
Can be characterized in terms of absolute film sensitivity or in terms of reproduced image blacks. Slow Motion: The process of photographing a subject at a faster frame rate than used in projection to expand the time element.
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